Latin American Movies and Directors

Film[edit]

Main article: Latin American cinema

Latin American film is both rich and diverse. Historically, the main centers of production have been Mexico, Argentina, Brazil, and Cuba.

Latin American film flourished after sound was introduced in cinema, which added a linguistic barrier to the export of Hollywood film south of the border. The 1950s and 1960s saw a movement towards Third Cinema, led by the Argentine filmmakers Fernando Solanas and Octavio Getino. More recently, a new style of directing and stories filmed has been tagged as "New Latin American Cinema".

Guadalajara International Film Festival the festival (held in Mexico) is considered the most prestigious film festival in Latin America and among the most important Spanish language film festivals in the world.

Mexican cinema started out in the silent era from 1896 to 1929 and flourished in the Golden Era of the 1940s. It boasted a huge industry comparable to Hollywood at the time with stars such as María Félix, Dolores del Río, and Pedro Infante. In the 1970s, Mexico was the location for many cult horror and action movies. More recently, films such as Amores Perros (2000) and Y tu mamá también (2001) enjoyed box office and critical acclaim and propelled Alfonso Cuarón and Alejandro González Iñarritu to the front rank of Hollywood directors. Alejandro González Iñárritu directed in (2006) Babel and Alfonso Cuarón directed (Children of Men in (2006), and Harry Potter and the Prisoner of Azkaban in (2004)). Guillermo del Toro close friend and also a front rank Hollywood director in Hollywood and Spain, directed Pan's Labyrinth (2006) and produce El Orfanato (2007). Carlos Carrera (The Crime of Father Amaro), and screenwriter Guillermo Arriaga are also some of the most known present-day Mexican film makers. Rudo y Cursi released in December (2008) in Mexico directed by Carlos Cuarón.

Argentine cinema has also been prominenent since the first half of the 20th century and today averages over 60 full-length titles yearly. The industry suffered during the 1976–1983 military dictatorship; but re-emerged to produce the Academy Award winner The Official Storyin 1985. A wave of imported U.S. films again damaged the industry in the early 1990s, though it soon recovered, thriving even during theArgentine economic crisis around 2001. Many Argentine movies produced during recent years have been internationally acclaimed, including Nueve reinas (2000), El abrazo partido (2004), El otro (2007) and the 2010 Foreign Language Academy Award winner El secreto de sus ojos.

In Brazil, the Cinema Novo movement created a particular way of making movies with critical and intellectual screenplays, a clearer photography related to the light of the outdoors in a tropical landscape, and a political message. The modern Brazilian film industry has become more profitable inside the country, and some of its productions have received prizes and recognition in Europe and the United States, with movies such as Central do Brasil (1999), Cidade de Deus (2002) and Tropa de Elite (2007).

Puerto Rican cinema has produced some notable films, such as Una Aventura Llamada Menudo, Los Diaz de Doris and Casi Casi. An influx of Hollywood films affected the local film industry in Puerto Rico during the 1980s and 1990s, but several Puerto Rican films have been produced since and it has been recovering.

Cuban cinema has enjoyed much official support since the Cuban revolution and important film-makers include Tomás Gutiérrez Alea.

It is also worth noting that many Latin Americans have achieved significant success within Hollywood, for instance Carmen Miranda (Portuguese-Brazilian), Salma Hayek (Mexican), and Benicio del Toro (Puerto Rican), while Mexican Americans such as Robert Rodriguez have also made their mark in film production.